Wednesday, December 15, 2021
too many narratives
Wednesday, October 14, 2020
cardboard cutouts
Monday, February 1, 2016
niggling doubts
Rating: 3 stars (out of 5)
Genre: fiction, middle grade
Review: Overall, I enjoyed this book. I thought the language was lovely. However, the faults in the premise kept niggling me, even in the best parts of the book. The premise that bothered me was not the magical realism. I actually thought that was beautiful.
What bothered me was the idea that there's an old (old) man living alone on a ranch in the middle of nowhere, who starts getting dementia, and someone notices. The man has no car. There's nothing to indicate that he has any contact with anyone off the ranch. But somehow there's a doctor who is so concerned that he calls the man's son (who hasn't spoken to his father in 12 years, since his mother died), and says that the old man must be moved to a nursing home immediately. And then the son decides that he has to uproot his entire family (including his two children, who have never met their grandfather) and they're all going to spend the summer on the ranch caring for the grandfather and fixing up the ranch house. In the middle of nowhere. In a drought. Except it turns out that no-one is surprised when the buyers are just going to tear the building down anyway, because who wants a who-knows-how-old ranch house in the middle of nowhere, no matter how clean it is, anyway?
So yeah, that bothered me. In the few moments that I was able to ignore that, I found the story of a tween girl getting to know her grandfather and listening to his stories of love and magic and really coming to care about him (and the ranch) quite nice. Niggle niggle.
FTC Disclaimer: I received this book from the publisher in exchange for this review.
Friday, October 15, 2010
tell one story well
Such is the case here, where Davis gives us the perspective of many characters, including several of the pets in the small town in which her story is set. Here, the multiple perspectives have the effect of muddying the waters so that the reader can never gets a clear picture of any of the characters and can never know what's important to the story.
It's too bad that Davis never lets any one character's story come through fully, because she gives us several interesting threads. One character can bring people and animals back to life, but only under certain circumstances. What circumstances? How does she feel about her ability? Occasionally we feel as though we may be getting close to delving deeper into one perspective, but than Davis tears the story away to another character, or perhaps gives us a horoscope or something from the local police blotter. The effect is a very jerky, frustrating read.

